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One More Saturday NightCasey Jones-Encore-TuningJohnny B. Stella BlueBig RiverRamble on RoseMe & My UncleHe's Gone. Greatest Story Ever Told-Set 2-TuningRow JimmyWeather Report Suite.

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Jones for the his help pitch correcting the patch source_-Set 1-IntroductionAround & AroundDire WolfMe & Bobby McGeeSugareeMexicali BluesHere Comes SunshineBeat It on Down the LineShip of FoolsJack StrawDealPromised Land. DATAll Transfers and Mastering By Charlie MillerAugust 13, 2011Patch Info:Alternate SBD Source provides:The Other One (1:51 - 2:04)Notes:- The Other One has a Slipknot jam in it- Thanks to Matt Smith for the patch source- Some tunings and beginnings of songs patched- Thanks to Joe B.

All recording info has been copied from .** Original artwork: (don't forget to read the comments :) by the one and only George Pearson see his other work here: Dead February 23, 1974Winterland Arena San Francisco, CARecording Info:SBD. Files have also been combined so that transitions between songs are seamless. Some recordings may be 'Matrix' (a mix of soundboard and audience taping). To the best of my knowledge, each recording is the clearest available version.

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**This video is part of an ongoing effort to catalog my favorite shows in the highest sound quality possible. let’s destroy those limey bastards just like in 1950 In the meantime, you can download soundboard copies of The Grateful Dead’s ’89 Alpine Valley run here.

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Stephen' suite, the first volume of the Dead's download series is totally solid, though decidedly not exceptional.Grateful Dead - 2/23/74 - Soundboard - Full show Stephen' > 'Not Fade Away' > 'Stella Blue' > 'St. Combined with the adventurously punchy 30-minute 'St. Other high-energy jams include the recently revived Rascals cover 'Good Lovin'' sung by Bob Weir (which probably should have been left with the memory of its former GD vocalist, Ron 'Pigpen' McKernan), Weir's new oddball 7/4 reggae epic 'Estimated Prophet,' and Garcia's magisterial 'Terrapin Station,' receiving its first Manhattan airing as the encore.

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Artist: Grateful Dead Album: The Best Of The Grateful Dead Released: 2015 Style: Psychedelic Rock Format: MP3 320Kbps / FLAC Size: 179+175 Mb.

For the most part, though, the band keep the energy high, and the spring of 1977 was defined by the then-new combo of 'Scarlet Begonias' into 'Fire on the Mountain.' The Palladium show is no exception, and features a long, meandering version to open the set, punctuated by the even-lamented-by-many-Deadheads moans of Donna Jean Godchaux. GD Soundboards Mediafire Folder: Lots of Grateful Dead SBDS. The third virtual disc also comes with a 14-minute bonus version of 'Sugaree,' recorded a night earlier, with Keith Godchaux's organ mixed with odd prominence. In the first set, there is Garcia's stunning slow-burn staple 'Peggy-O' and - in the second - the newly slowed-down version of 'Friend of the Devil,' premiered after the band's 1974-1976 hiatus. Stephen' ending - the spring of 1977 was a fine time for Garcia ballads, and this release has several. A 15-minute 'Not Fade Away' veers into deep, melodic abstraction before languidly seguing into Garcia's heart-wrenching ballad 'Stella Blue.' Though not as quiet as some readings of the tune - by the Dead's standards, this version is downright chipper, spiraling gracefully back into the 'St. To that end, the band's April 30th show at the Palladium - the first release in their downloads series, and the sixth extended release from the spring of 1977, including one box set - has an advantage on the much revered show recorded in Ithaca on May 8th: an actual open-ended jam.

WS 1790) Download MP3 (256kbps) or Download FLAC The Dead: Jerry Garcia - guitars, vocals Bob Weir - guitars, vocals Ron. About Formats Add To Cart Select Audio Format.

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It was also a show previously uncirculated in soundboard form by the Deadheads, recorded by renowned Dead engineer Betty Cantor-Jackson. Premium soundboard quality Start Free Trial. For listeners wary of long 'Dark Star'/'Playing in the Band' excursions or endless drum jams of the early years and the embattled arena behemoths of the 1980s, 1977 provides a safe middle ground (and a good starting point for new listeners). It was during that period that the Dead struck what, for many, remains the perfect balance of tightness and energy of performance, without too much undue experimentation, before Jerry Garcia's focus dissipated into drug addiction in the years immediately following.

Rivaling the spring of 1972 as the most-plundered season in the Grateful Dead's live catalog, the spring of 1977 found the Dead playing at their platonic best.